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LabyrinthDesigners & the Art of Fire

Alchemy works translations, commentaries, and presentations of hidden evidence in myths, art, nature, science history

  • Classical Alchemy
    • The State of the Art
    • An Intriguing Case
    • Opus Magnum Scheme
    • Turba Philosophorum’s Ambition
    • Areas of Interest
    • Index of the Names
    • Articles
    • Lexicon
  • Anatomy of an Alchemical Machine
  • The Sound Sacrifice
  • Introductory Notes to the Boards of Pure Force

Planets, Bells

Planets, Bells

IN CONSTRUCTION…

1 When it is said that souls ascend and descend along the path of the planets…

… Perhaps what is meant is the “wave” aspect of the planets. Or the planets symbolically represent different wavelengths

2 Why were the influences of the planets said to be much more spiritual and ineffable than the influences of the sun?

Because, unlike the sun, planets do not cast shadows on the Earth.

3 Why put the Sun together with the planets? As an alchemist, you are taking on quite a responsibility…

Of course the Sun is not a planet and I’m not putting it in the list of planets. Alchemists know well that the Sun is the ruler of the solar system, around which everything revolves. To clarify further, I can say that the planets of the solar system, from the alchemical and hermetic point of view, must be in the company of the Sun.

4 Is it true that the part of the planets was also called “aether”?

Pure ether because, unlike air, the ancients said that it was a void free of earthly dust. See Air Alchemy, the Dust.

5 The planetary part is so ethereal that it was defined as the “counterpart” of the Sun…

The ancients also called the planetary part “night”.

6 First of all, of the influence of the planets only that which reaches the atmospheric air survives. As with the stars, the planets also influence water and earth through fire and air…

The influence of the planets exerts an impulse of movement on the atmospheric air. For alchemists, the planets are what comes from them to Earth: something that can move the atmospheric air. Fire itself is so called because it is “flickering”.

7 What can move atmospheric air is above all sound…

No wonder, for alchemists, wind, air pressure and sound had the same origin. See also Air Alchemy, the Fabric.

8 However, the ancients thought that the planets were in turn moved by the Sun…

Maybe not exactly moved, but “governed” by the Sun.

9 What is the difference between planetary and stellar influences?

The profound difference is that the stars do not need to be governed by any other celestial body, since they govern themselves. Proof of this is that, in addition to competing with the Sun, they can even overwhelm it at certain times of the year.

10 Some say that the Aurea Catena, the Golden Chain, is the chain of planets marked by the Sun…

Different words to repeat what was said above: when the planets were sound, they were moved by the Sun. When they were air, they were always moved by the Sun.

The only difference is that in the Aura Catena the list of “orchestral” is cited, Saturn the furthest, the Moon the closest.

11 The astrological ecliptic also referred to the movement of the Sun…

In fact, in astrology, the domification of the planets makes sense only from the point of view of the ecliptic.

12 The cultural influence of the Sun led the ancients to divide planetary influences into “seasonal” quadrants…

In the end we see how, for the alchemists, everything is reduced to movements in the air. It is undeniable, in fact, that movements in the air and the winds are governed by the changes of season.

13 And even to a daily hourly division according to the hours of the Sun. the domification of the planets makes sense only from the point of view of the solar ecliptic, that is, the course of the Sun…

The daily division then led to the “domification“ of the astrological houses. Of which the cardinal ones are I, IV, VIII and X.

14 Can planets predict the future?

As with birds, or liver malformations or the roughness of the ground by ancient augurs, the planets can predict events by chance – but some would say “by analogy” or “synchronicity”.

15 From an alchemical point of view, can planets influence the works?

We cannot plan the future of alchemical processes, as the movements of the ephemeris could upset all our plans. To understand better, for example, our natal chart can be fully understood only at the moment of our death. At that moment, among all the various possibilities, everything has been accomplished and everything has taken on a meaning.

16 Yet some alchemists still look at the ephemeris to begin their work…

If we analyze more deeply what kind of alchemical works we are talking about, we discover that they are spagyric works. In fact, astrology is widely used in spagyria.

17 Yet no celestial body like the planets could better express the connection between Sky and Earth…

This makes the planets a true “horizon,” that is, a visible boundary between the Sky and the Earth.

18 The function of boundary between Sky and Earth makes the planets a real terrestrial and celestial mapping material…

This makes the planets a true “horizon”, that is, a visible boundary between the Sky and the Earth.

19 After all, what is a mapping if not a codification of numbers?

In fact, it was the Chaldeans who created a system that could codify this connection between sky and earth. Thus were born the numbers, those that were considered above their common use as mere calculation symbols. Through sacred numbers, the Chaldeans measured energies, as we would say today. Or cosmic forces, as the ancients said.

20 For the Chaldeans, numbers represented an “energetic” flow…

Before becoming a tool for predicting the future, the concept of cosmic number was for the Chaldeans a means to understand what we today too roughly call the “energy flow” that crosses the universe, and which we could instead define as a number/line, visually translated into cosmic “ropes”.

21 The Chaldeans also considered the heliacal risings of the planets…

The Chaldeans not only observed planetary conjunctions, but also meticulously noted their heliacal risings, that is, when a planet first appears at dawn. It is likely that the astrological houses of late astrology arose from observing the heliacal risings of the planets at dawn.

22 “Vibrating ropes” that each planet emits with unique and peculiar undulations…

These undulations took on numerical characteristics, or rather, the numbers took on a wave-like character. In this sense, the science of numbers, for the Chaldeans, was not limited to linking a number or a letter to a being or an object, but carried with it a unique resonance of cosmic origin.

23 The “planetary waves” were not simple abstract symbols, but real “sounds” that were linked, by imitation, to the vocal emissions of the priests…

These rituals were called connections between the macrocosm and the microcosm. For the Chaldeans, everything, literally, resonated.

24 … As waves that traveled across the sky in segments, not in the fictitious quadrants of the ecliptic…

The Chaldeans did not see the sky of the planets in solar “quadrants”,which, as we have already seen, are nothing more than seasonal “air meters”, but in segments. The same ones they used to trace their actual positions (not the ecliptic, therefore). Hence the sacred role of each specific “rope”.

25 The Chaldeans imagined the planets as ringing bells…

That, like bells, they created a frequency that spread leaving traces.

26 Is it true that the planets also influence the movements of the “philosophical sea”?

True. The fourth movement of the sea is caused by the oscillations, also called fire, of the planets through the lunar phases. The fire of the planets that gives shape to the movement is invisible, while the lunar phases that receive it are visible. See Flow and Reflux.

27 Why did Saturn represent the boundary between the Firmament and the ring of the zodiac or fixed stars for the ancients?

For the ancients, Saturn represented the boundary between the Firmament and the ring of the zodiac or fixed stars, although they suspected there were other planets beyond. An exact explanation for this pattern has never been handed down to us, but we can only conjecture that the reason lies in the sonic aspect of the planets: the most strident and chilling sounds came from Saturn.

28 What about the so-called oscillating “fire” of the planets?

It is defined by alchemists as “fire” because it presents analogies with the impalpable and uncontrolled movement of ordinary fire. It is an oscillation of the planets through the lunar phases and which can influence the movement of the “philosophical sea”. The fire of the planets that gives shape to the movement is often overlooked because it is invisible, while the lunar phases that receive it are visible. See also Flow and Reflux.

29 Is the oscillating “fire” of a single planet enough to influence the moon or must all of them participate en masse?

The planets participate in influencing the moon individually but in a linked way, one after the other.

Previous: Solar Alchemy

Next: Lunar Alchemy

  • Smelting Metals in the Service of the Sanctuary
  • Alchemy & Light, Introduction
  • Alchemy & Light, Known Authors
  • Alchemy and Modern Physics Particles
  • Palingenesis, Seeds in the Wind
  • Doubles, Resonances, Unions, Seeds, Embryos, Births, and Processions
  • Flow and Reflux
  • Solar Alchemy
  • Planets, Bells
  • Lunar Alchemy
  • Stellar Alchemy, the Aerial Ropes
  • Stellar Alchemy, the Signatures Palace
  • Air Alchemy, the Dust
  • Air Alchemy, the Fabric
  • Water Alchemy
  • Fire Alchemy
  • Earth Alchemy
  • The Four Alchemical Elements
  • The Subtlety of the Exact Proportions
  • Alchemical Timing & Astronomical Code
  • Differences between Alchemy and Spagyrics
  • Concordances and Differences between Alchemy and Ancient Ordinary Chemistry
  • The Enigma of the Three Salts, i.e. the Alchemical Physis
  • Before Preparatory Work, Spiritus Mundi
  • Before Preparatory Work, Magnetization
  • First-Preparatory Works, Introduction
  • First-Preparatory Works, Eagle Wings or Volatilization
  • Second-Main Work
  • Third Work
  • Concordances and Differences between the Humid and Dry Path
  • Gold & Alchemy, or Adorn with a Star Ray
  • Gold & Alchemy, Apples to Stop Atalanta
  • Gold & Alchemy, Potable Gold
  • Alchemy Resounds
  • What is the Philosophers Stone?
  • The Genesis on a Small Scale
  • Transmutation of Metals
  • Alchemy and Electricity
  • Short Art Ars Brevis
  • Inner Alchemy
  • Classical Alchemy
    • The State of the Art
    • An Intriguing Case
    • Opus Magnum Scheme
    • Turba Philosophorum’s Ambition
    • Areas of Interest
    • Index of the Names
    • Articles
    • Lexicon
  • Anatomy of an Alchemical Machine
  • The Sound Sacrifice
  • Introductory Notes to the Boards of Pure Force

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