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LabyrinthDesigners & the Art of Fire

Alchemy works translations, commentaries, and presentations of hidden evidence in myths, art, nature, science history

  • Classical Alchemy
    • The State of the Art
    • Areas of Interest
    • Index of the Names
    • Articles
    • An Intriguing Case
    • Turba Philosophorum’s Ambition
    • Opus Magnum Scheme
    • Lexicon
  • Anatomy of an Alchemical Machine
  • The Sound Sacrifice
  • Introductory Notes to the Boards of Pure Force

Fire Alchemy

Fire Alchemy

IN CONSTRUCTION…

1 In this section dedicated to the Alchemy of Fire are we talking about the “fire” principle or ordinary fire?

It is too easy to think that the alchemists meant specifically one or the other. In reality they often mix the ordinary fire, the principle of fire, the Athanor and the philosophical fire.

2 Why is the first alchemical principle symbolized by ordinary fire?

Alchemists took the symbol of fire to indicate something that moved in an uncontrolled and increasing way.

3 Why was the ancient concept of “amplification” represented by the symbol of fire?

The ancient concept of “amplification” was represented by the ancients by the symbol of fire because like fire it expanded and grew uncontrolled and terrible despite its ineffability.

4 Is it true that alchemists divided between weak fire and strong fire?

Greek mythology tells us about Hephaestus – a deity connected with the alchemical furnaces – whose main task is to bring the weak “fire” of Zeus to earth. Just as it was the task of Vesta/Hestia to bring the weak “fire” of Hera, Zeus’ sister/spouse, to earth.

5 Can we say that the task of Alchemy is to amplify the weak fire?

I think it can certainly be said that the task of Alchemy is to amplify the weak fire until it becomes an earthly fire.

6 Why do we talk about terrestrial fire?

Because alchemists define the earth as the hearth/fireplace of the world.

7 From an alchemical point of view, are fire and fireplace the same thing?

In Construction…

8 Is it true that for alchemists fire was the origin of wind and vapors?

For alchemists, it was not fire that was the origin of winds and vapors, but hearths/fireplaces.

9 Yet alchemists speak of fire as a spark carrying information…

In fact, the fire symbol stands for “bearer of information”.

10 Fire reduces to Fire…

Easy to understand in Alchemy: the alchemical “cooking” fire par excellence is Mercurius which reduces everything to mercurial fire. In theurgy, perhaps the end of all “information” is to become “information”.

11 However, alchemical fire without water doesn’t go very far…

In fact, the alchemical fire, as a spark, must be transported by a vehicle that alchemists describe as watery. To eventually form an “igneous vapor”.

12 No wonder Hephaestus’ laboratory is in the depths of the sea…

That Hephaestus’ laboratory is in the depths of the sea is even easier to understand for an alchemist: Mercurial fire is water, par excellence (it is, in fact, called “our water“). In Theurgy, after all, fire is information introduced into movement.

13 Yet the rites of eternity in the temple of Vesta included its ritual and cyclical extinguishing…

In Water Alchemy, we have already mentioned the rites of eternity in the the fifth case of “fire, and water is enough for you”. In this scenario, we understand how the ritual of maintaining the fire in Vesta’s temple involved meeting with water. This annual extinguishing and relighting took place in the spring ceremony.

14 Why was it essential to cyclically extinguish the fire in these rites of eternity in the temple of Vesta?

In ancient times it was a common belief that the only way to rekindle a weak fire was to put it out with water and relight it.

15 Does this contradictory idea of the extinguishing and lighting of a weak fire have anything in common with the idea of the amplification of the weak celestial Fire?

Yes, this ritual, which seems contradictory to us today, had to do with the amplification of the celestial fire that was too weak to reach the earth.

16 What is the fire that would act as the fixed point of the first movements of the “philosophical sea”?

It could be the Mercurius of the stars fallen and trapped in some hidden place; it could be a form of heat, even volcanic; it could be a “sonic” origin; it could be a meeting between water and fire; it could be trapped cosmic particles; it could be an original oscillation; it could represent the wave-particle function of the photon. In short, we do not know what it could really be. The ancients called it fire to highlight its character of uncontrolled growth. See also Alchemy and Modern Physics Particles.

17 Is it true that alchemists believe fire has an affinity with Spiritus Mundi?

Neither the cooking fire nor the fire element is meant here. It is believed that the flames of the fire not only have a symbolic analogy with the “meandering” movement tendency of the Mercurius (but also of the Spiritus Mundi) but also a physical, laboratory value.

In short, without making too many revelations, the common fire was used as “bait” to attract the Spiritus Mundi nearby. Alchemists said that it could be collected in the form of a peculiar “dew”. See Solar Alchemy.

18 Was the Spiritus Mundi collection process really that simple?

Of course, no. A complex process of lighting and extinguishing the fire was envisaged. In Alchemy, where there is fire, there is also water.

19 Is it true that for the ancients fire is produced by the “seed” of time?

True. Eudemus of Rhodes, fr. 150: “Pherecydes of Syros says that time from its own seed produces fire… as well as and whiffle (air) and water. And from them, all the gods are born”.

Previous: Water Alchemy

Next: Earth Alchemy

  • Smelting Metals in the Service of the Sanctuary
  • Alchemy & Light, Introduction
  • Alchemy & Light, Known Authors
  • Alchemy and Modern Physics Particles
  • Palingenesis, Seeds in the Wind
  • The Enigma of the Three Salts, i.e. the Alchemical Physis
  • Doubles, Resonances, Unions, Seeds, Embryos, Births, and Processions
  • Flow and Reflux
  • Solar Alchemy
  • Planets, Bells
  • Lunar Alchemy
  • Stellar Alchemy, the Aerial Ropes
  • Stellar Alchemy, the Signatures Palace
  • Air Alchemy, the Dust
  • Air Alchemy, the Fabric
  • Water Alchemy
  • Fire Alchemy
  • Earth Alchemy
  • The Four Alchemical Elements
  • The Subtlety of the Exact Proportions
  • Alchemical Timing & Astronomical Code
  • Differences between Alchemy and Spagyrics
  • Concordances and Differences between Alchemy and Ancient Ordinary Chemistry
  • Before Preparatory Work, Spiritus Mundi
  • Before Preparatory Work, Magnetization
  • First-Preparatory Works, Introduction
  • First-Preparatory Works, Eagle Wings or Volatilization
  • Second-Main Work
  • Third Work
  • Concordances and Differences between the Humid and Dry Path
  • Gold & Alchemy, or Adorn with a Star Ray
  • Gold & Alchemy, Apples to Stop Atalanta
  • Gold & Alchemy, Potable Gold
  • Alchemy Resounds
  • What is the Philosophers Stone?
  • The Genesis on a Small Scale
  • Transmutation of Metals
  • Alchemy and Electricity
  • Short Art Ars Brevis
  • Inner Alchemy
  • Classical Alchemy
    • The State of the Art
    • Areas of Interest
    • Index of the Names
    • Articles
    • An Intriguing Case
    • Turba Philosophorum’s Ambition
    • Opus Magnum Scheme
    • Lexicon
  • Anatomy of an Alchemical Machine
  • The Sound Sacrifice
  • Introductory Notes to the Boards of Pure Force

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