Take the body out from that which has a body and give a body to that which has no body – Turba Philosophorum.
Although Turba Philosophorum is a short book written in obscure and metaphorical language by an unknown author in the Middle Ages, it has always been considered a source of alchemical aphorisms. And the one mentioned above is among the most evocative of the very essence of the Alchemy of metals (beyond that, it becomes Theurgy).
But to understand where the strength for this extreme transmutation comes from, we need to get to the end of the Last Cooking and witness the philosophical egg supreme spectacle, when the waves of the so-called “philosophical sea” oscillate within the “canons” of an astronomical code. “Canon” is a musicological term, which I use here appropriately. Indeed, for alchemists, the movements of growth and diminution that move matter follow mathematical-musical rules. Alchemy does not follow chemical-molecular models. The “music”, or waves of the philosophical sea, is composed by oscillations sent by the cosmos, medium notes of the sun, lunar rebounds, the consistency of the air, and “whispers” that remain eternally in water – by water we also mean the movement that remains trapped in the crystals forming. But also inside funerary temples. However, to alchemists’ eyes, the philosophical sea seems completely independent “randomness”.
Several centuries later, in the mid-1900s, a great alchemist dared to publish excerpts from his correspondence with an alchemist friend, in which he described the bitter end of his spectacular final cooking of the Philosophical Egg:
… Like the last year, the first sound – very likely a C (do) – has made itself perceived very soon, one hour and thirty-two after the beginning… The second whistle – which gave the impression to be a D (re) – arrived just 24 hours later, yesterday, at 10 and 10 p.m., while the weight slightly increased and reached at the same time 333.65 grams, namely – and that’s amazing – the same increase proportion when the temperature was at 340 degrees Celsius… – Eugène Canseliet, L’Alchimie Expliqueé sur ses Textes Classiques.
Thus we learn that the Egg emits whistles similar to musical notes. And, above all, that the final disappointment is the failure of a final note. To those who are still stunned, we remind you that, by tradition, the legendary alchemist known as Ostanes witnessed in the supreme opening of the philosophical egg, and presumably to a successful “little Genesis”. For this reason Ostanes was honored with the title of “sovereign of the seven sounds”.
Ancient mythological tales from around the world have told us how important sound is in genesis, but many did not suspect that the Alchemy of metals was not exempt from the search for the “private channel”. See The Sound Sacrifice
Below is a list of articles I have published on the topic of sound in Alchemy.
Canseliet, the Art of Music & Weight
The Philosophical Egg as a musical instrument? Here Canseliet dares to describe an unbelievable scale of whistling notes from its Crystal Dome.
Atorène: Fire and Weights in Canseliet’s Last Cooking
Atorène, in “Le Laboratoire Alchimique” 1981, analyzes the musical proportions of the Egg densities, comparing them to a musical organ.
Canseliet, the Details of the Last Cooking and Comparison with Flamel’s Apparatus and Egg
The Egg construction and comparison with Flamel’s. As well as observations on the nature of the “vibrations”.
Hieronymus Bosch and the Concert in the Egg
No metaphoric at all, this Hieronymus Bosch painting is as realistic as it could be: there is a real concert inside the philosophical Egg.
Piero della Francesca and the Philosophical Pendent Egg
Widely known for the pendant egg detail, Piero della Francesca’s Brera Altarpiece should be explained for what it represents: a hanging spawn.
Atorène, Music Theory Course for Alchemists. Part 1
Atorène’s course starts with the presentation of the Philosophical Week, which is the musical interval of the Last Cooking, then continues with the musical notation and Law of Attraction.
Atorène, Music Theory Course for Alchemists. Part 2
Density as a wave. The conclusive part of the Atorène music course will make us grab that Canseliet omitted many details in his letters on the Last Cooking.
The Pythagorean Acoustic: Geometry & Music of Sirens
The music of Sirens, the harmony of spheres, Plato’s dodecahedron, and not only. The important role accorded to sacred geometric music in the Pythagorean school.
The Pythagorean Acoustic: Geometry & Music of Sirens;
Prime numbers and the law of Tetraktys. The first was Pythagoras’ limit, and the second was an enigma that continues today. The basis of Pythagoras school musical theory.
The Secret Night Chant of a Stradivarius Tree
Stradivari offered a glass of wine to a lumberjack one day, the price for a secret code in the Roman calendar. A night when the Moon is unusually not involved.
Louis Lucas, l’Acoustique Nouvelle or the New Acoustic: preface
L’Acoustique Nouvelle essai d’application à la musique d’une théorie philosophique par M. Louis Lucas, Paris, 1854
Louis Lucas, l’Acoustique Nouvelle or the New Acoustic: Introduction to Attraction and Enharmony Musical Laws
Chemistry, physics, metaphysics, and mathematics. According to Lucas (1854), musicians, too ignorant to go beyond convention, have tied themselves hand and foot to mathematics. If today it is normal for us to depend on the dictatorship of calculation and analysis, it was misleading for the ancients.
Luc Montagnier, Water and DNA Induction Transmission
Luc Montagnier’s team discovered a new property of DNA: the induction of electromagnetic waves in water dilutions. And we can grasp the enormous alchemical implications. Is or isn’t Alchemy defined as the art of Genesis in small?