Egg-Vessel

Atorène: Fire and Weights in Canseliet’s Last Cooking

Canseliet dared to publish his secret correspondence to a friend on the whistles emitted by his Egg. Atorène, in “Le Laboratoire Alchimique” 1981, analyzes the musical proportions of the Egg densities, comparing them to a musical organ. The graphs are my work, for a better understanding.

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Canseliet & the Details of the Last Cooking

by Iulia Millesima

After publishing Canseliet’s epistolary chronicle with a friend regarding the observations on weight increases and emissions of the musical whistling scale, the time has come to also disclose the antecedent part of the management of cooking, the philosophical egg and the oven. As well as observations on the nature of the “vibrations”.

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Atorène, Music Theory Course for Alchemists. Part 2

by Iulia Millesima

Density as a wave. The conclusive part of the Atorène music course will make us grab that Canseliet omitted many details in his letters on the Last Cooking.

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Atorène, Music Theory Course for Alchemists. Part 1

by Iulia Millesima

Atorène’s course starts with the presentation of the Philosophical Week, which is the musical interval of the Last Cooking, then continues with the musical notation and Law of Attraction. Before getting to the Egg’s Densities Variations, and Degrees of Fire, the Canseliet’s apprentice provides the reader unfamiliar with the mathematical laws of the proportions of the sound with the construction of notes, intervals, and scales, and Pythagoras, as well as Zarlino’s, range.

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Brouaut’s Frontispiece, the Organ Pythagorean Proportions

by Iulia Millesima

Not only a diagram of the Great Opera but almost a compendium of the last cooking. And not only. The table by J. De Semlecque on Brouaut’s was long a musical conundrum. There are three authors to consult: Canseliet, Atorène, and Martianus Capella.

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