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LabyrinthDesigners & the Art of Fire

Alchemy works translations, commentaries, and presentations of hidden evidence in myths, art, nature, science history

  • Classical Alchemy
    • The State of the Art
    • An Intriguing Case
    • Opus Magnum Scheme
    • Turba Philosophorum’s Ambition
    • Areas of Interest
    • Index of the Names
    • Articles
    • Lexicon
  • Anatomy of an Alchemical Machine
  • The Sound Sacrifice
  • Introductory Notes to the Boards of Pure Force

Iulia Millesima

The Aldus Manutius’ Dolphin at Anchor

by Iulia Millesima

Manutius printer’s mark actors are a dolphin and an anchor. The same allegory is also found in two charts in Hypnerotomachia Poliphili. And not to illustrate a popular proverb.

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Orthelius Commentary on Maria Prophitissa. Part 1

by Iulia Millesima

Andreas Orthelius starts his scrutiny of Maria’s words with what worries him most: two Fumes including, or turning on, two Lights.

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An Etruscan Urn and the Symbol of the Ancient Tradition

by Iulia Millesima

In this Etruscan cinerary Urn, there is a decoration that may explain the symbol of the pillar-shaped altar and why two warriors defend it.

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Franz Kieser and the two Perceivable Lights

by Iulia Millesima

A strange concept to accept is that of the two alchemical lights. Not just one. In Concordantia Chymica Kieser presents those perceptible inside the vessel.

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Lancillotti: Glass and Oil according to Currus Thriumphalis. Part 1

by Iulia Millesima

The glass of Antimony and the Oil of it. Antimony as a fume. And an enigmatic Festina Lente. Carlo Lancillotti repeats the works in Basilius Currus Triumphalis.

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  • Classical Alchemy
    • The State of the Art
    • An Intriguing Case
    • Opus Magnum Scheme
    • Turba Philosophorum’s Ambition
    • Areas of Interest
    • Index of the Names
    • Articles
    • Lexicon
  • Anatomy of an Alchemical Machine
  • The Sound Sacrifice
  • Introductory Notes to the Boards of Pure Force

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