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LabyrinthDesigners & the Art of Fire

Alchemy works translations, commentaries, and presentations of hidden evidence in myths, art, nature, science history

  • Classical Alchemy
    • The State of the Art
    • Areas of Interest
    • Index of the Names
    • Articles
    • An Intriguing Case
    • Turba Philosophorum’s Ambition
    • Opus Magnum Scheme
    • Lexicon
  • Anatomy of an Alchemical Machine
  • The Sound Sacrifice
  • Introductory Notes to the Boards of Pure Force

Orthelius Andreas

Ortelius Commentary on Sendivogius. Chapter 6

by Iulia Millesima

Chapter 6 of the commentary on Sendivogius Ortelius tells us what to do with the spiritual water collected with the marble sponge. Magnetization in the open air.

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Orthelius Commentary on Sendivogius. Chapter 5

by Iulia Millesima

The assembling instructions of the famous Orthelius marble sponge to capture the celestial influences in a corporeal medium in this fifth chapter of his commentary on Sendivogius.

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Ortelius Commentary on Sendivogius. Chapter 4

by Iulia Millesima

In the fourth chapter of his Commentary on Sendivogius, Ortelius explains what to do with the previously non-filterable solids, which he will define as Caput mortuum. 

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Orthelius Commentary on Sendivogius. Chapter 3

by Iulia Millesima

The concise chapter 3 of Orthelius’s commentary on Sendivogius about rectifications on the same liquor “finally floating on its water”. And the two obtained matters.

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Ortelius Commentary on Sendivogius. Chapter 2

by Iulia Millesima

In our preparatory works, the alchemical praxis requires transforming the element Earth into Water, making the second part of Ortelius’ Commentary on Sendivogius.

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  • Classical Alchemy
    • The State of the Art
    • Areas of Interest
    • Index of the Names
    • Articles
    • An Intriguing Case
    • Turba Philosophorum’s Ambition
    • Opus Magnum Scheme
    • Lexicon
  • Anatomy of an Alchemical Machine
  • The Sound Sacrifice
  • Introductory Notes to the Boards of Pure Force

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